«Кино по пятницам». Еженедельная авторская программа Валерия Кичина:
24 сентября 2010: "В этой программе речь пойдет о выпуске кинокомпанией «R.U.S.C.I.C.O.» на dvd отечественной киноклассики с комментариями и системой ссылок. В гостях у Валерия Кичина: генеральный директор компании Роман Дихтяр; киновед и главный редактор серии Николай Изволов; участник проекта и один из его вдохновителей преподавательница из Германии Наташа Друбек."
"The Mosaic Approach. In defense of a nonlinear film criticism"
posted August 18, 2010, in the journal Moving Image Source, Museum of the Moving Image, N.Y.
"The fact that these commentaries belong to a hybrid form—existing somewhere between reading and watching, like various computer-related activities—is part of what seems forward-looking about them […] What all these forms of criticism suggest is not merely a less linear way of approaching film experience but also a more interactive methodology. The fact that movies are being seen more and more often away from public theaters shouldn't necessarily mean that the way we all experience them and share our experiences is any less social. Perhaps it's more pertinent to note that the very forms of our social interactions in relation to films are changing as well."
IL CINEMA RITROVATO DVD AWARDS 2010 VII edition. BEST SPECIAL FEATURES (BONUS). "Our BEST SPECIAL FEATURES (BONUS) award goes jointly to:
(a) three recent Ruscico releases of classic Russian films (two previously unavailable films by Lev Kuleshov, ENGINEER PRITE’S PROJECT and THE GREAT CONSOLER, and Sergey Eisenstein and Grigori Aleksandrov’s OCTOBER)—both for their innovative handling of printed and illustrated commentaries by scholars and for their subtitles in many languages, despite the unfortunate fact that all three releases are identified on their covers only by their Russian titles
ENGINEERS PRITE’S PROJECT (Russia/1918) di Lev Kuleshov – Ruscico (Russia) -
THE GREAT CONSOLER (Russia/1933)di Lev Kuleshov – Ruscico (Russia)
OCTOBER (Russia/1927)di Sergey Eisenstein, Grigori Aleksandrov – Ruscico (Russia)
and
(b) the Filmmuseum with Filmmuseum München and Goethe Institut Deutschland release of G.W. Pabst’s DIE FREUDLOSE GASSE (THE JOYLESS STREET), for the three documentaries about Pabst that are included."
On Quotation.
How Hyperkino is making its way into critical jargon where it mutated to HYPER-KINO. Tommaso Schulze in SPEX #321, June 2009 about Tarantino's "Inglourious Basterds":
WAS ERLAUBEN TARANTINO? – DAS HYPER-KINO DES FILM-ZITATORS
michal klodner, 16. 2. 2010 19:28, 0 komentářů
Tagy
film annotation, russian film, reconstruction, hyperkino
1. Engineer Prite's Project (1918, Lev Kuleshov) - Hyperkino annotations by Natascha Drubek / Nikolai Izvolov
2. October (1927, Sergei Eisenstein) - Hyperkino annotation by Yuri Tsivian
3. The Great Consoler (1933, Lev Kuleshov) - Hyperkino annotations by Ekaterina Khoklova
4. Happiness (1934, Alexander Medvedkin) - Hyperkino annotations by Nikolai Izvolov
5. Strike (1924, S. Eisenstein) - Hyperkino annotations by Natalia Riabchikova
The annotations are structured as a system of footnote-like entries placed in support of key points in the film. They can be examined in the course of viewing the film; or can be switched off.
Film annotations include:
A. Academic, multifaceted, original interpretations of the content and the form of the films, written by experts in the field.
B. Explanations of political, everyday and other realities, of ethnographic and linguistic details.
C. References to archival and bibliographic sources.
D. Additional visual materials - photographs, drawings and fragments from other films - which can be comparatively analyzed in relation to films in question and expand their discursive contexts.
Additional titles are currently in preparation.
RUSCICO is releasing a series of classic Russian films in the Hyperkino format edited by Nikolai Izvolov in February 2010 http://www.ruscico.com/ e-mail address for orders and enquiries: honnest@ruscico.com
michal klodner, 16. 2. 2010 19:10, 0 komentářů
Tagy
digital reconstruction, hyperkino, film annotation
The Project of Engineer Prite (Proekt inzhenera Prayta) & Hyperkino - Digital Revival of Early Classics / Interactive Presentation by Nikolai Izvolov - 2/2/2007, 2:30 PM, Venster 2
FILMOVÁ A TELEVIZNÍ FAKULTA AKADEMIE MÚZICKÝCH UMĚNÍ V PRAZE > more...
FAMU vznikla v rámci AMU v Praze (filmový odbor) v letech 1946/47 jako pátá filmová škola na světě - po Moskvě, Belíně, Římu a Paříži. První uchazeči zde mohli studovat režii, dramaturgii a filmový obraz.
Dnes FAMU zahrnuje nasledující katedry a pracoviště:
